6-panel cap Brown and purple 100% cotton One Size fits all ↑ ↓ ↓

Longsleeve dark blue shirt 340 gsm heavy weight denim 100% cotton, two pockets, buttons Embroidered stitching front and back Available sizes: M, L, XL This shirt is made to last. The fit is relaxed and perfect as work wear. We recommend sizing down for a less relaxed look. ↑ ↓ ↓

Dada a impossibilidade de concretizar uma nova edição devido às dificuldades impostas pela pandemia, o Fórum do Futuro 2020 adotou a forma de um livro que propõe debater, a partir de distintos princípios cosmogónicos, a existência humana e não-humana no atual contexto político e social. Fórum do Futuro: Vita Nova é copublicado com a editora de Berlim BOM DIA BOA TARDE BOA NOITE, e apresenta quatro secções temáticas que cruzam perspetivas artísticas, científicas, filosóficas e tecnológicas em ensaios escritos e visuais, histórias e entrevistas. ↑ ↓ ↓

Jac Leirner in conversation with/en conversación con Adele Nelson presents an extended dialogue between the Brazilian conceptual artist, Jac Leirner (b. 1961), and writer and art historian Adele Nelson, with an introductory essay by Robert Storr. Leirner’s meticulously constructed works carve out a place for commonplace objects, from cigarette packs and plastic shopping bags to cutlery and currency. In this, the first in-depth study of Leirner’s creative process, Nelson interviews the artist about more than two decades of production. Jac Leirner, born in 1961 in São Paulo, emerged in the early 1990s at the forefront of a new transnational generation of artists looking to the art of the 1960s and 1970s as a point of departure. ↑ ↓ ↓

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During ‘wonder, wander’, a collective walk across Jordan organized by the Spring Sessions annual artist residency, Thomas Amouyal, Sara Elkamel and Charlotte York arrived in Wadi Rum, welcomed by a ruthlessly dry heat. One morning in the red desert, they improvised a workshop where they gave the rest of the group a series of drawing and writing prompts. The collaboration sparked the idea for The Ex-Clown, The Fan, The Stranger, and I, a book that proposes 161 prompts to draw and write. The trio wrote it in September 2018 on the Greek island of Tinos—in between visits to a green beach—with the generous encouragement and contribution of Spring Sessions curators Noura Al Khasawneh and Toleen Touq and the ‘wondering, wandering’ artists present on the island: Hanaa Safwat, Kari Rosenfeld, Raymond Gemayel, Gian Spina Nuno Cassola, Parastoo Anoushahpour, Noura Salem, Melika Abdel Razzak and Soraya Ghezelbash. The publication was designed by Åbäke, translated into Arabic by Yasmine Zohdi, proofread by Habiba Effat, published by Dent-De-Leone and produced with support by The Mohammad and Mahera Abu Ghazaleh Foundation (MMAG). Imagined as a generative tool for artists and educators, the book prompts its users to make drawings and write texts that respond to everyday objects, imaginary characters, as well as physical and celestial bodies. As they create stories of their own, there’s an invitation for the book’s users to engage with the mundane, the absurd and the profound. ↑ ↓ ↓

Uranus, the frozen giant, is the coldest planet in the solar system as well as a deity in Greek mythology. It is also the inspiration for uranism, a concept coined by the writer Karl Heinrich Ulrich in 1864 to define the “third sex” and the rights of those who “love differently.” Following Ulrich, Paul B. Preciado dreams of an apartment on Uranus where he might live beyond existing power, gender and racial strictures invented by modernity. “My trans condition is a new form of uranism,” he writes. “I am not a man. I am not a woman. I am not heterosexual. I am not homosexual. I am not bisexual. I am a dissident of the gender-sex binary system. I am the multiplicity of the cosmos trapped in a binary political and epistemological system, shouting in front of you. I am a uranist confined inside the limits of technoscientific capitalism.” This book recounts Preciado's transformation from Beatriz into Paul B., but it is not only an account of gender transitioning. Preciado also considers political, cultural, and sexual transition, reflecting on issues that range from the rise of neo-fascism in Europe to the technological appropriation of the uterus, from the harassment of trans children to the role museums might play in the cultural revolution to come. An Apartment on Uranus is a bold, transgressive, and necessary book. ↑ ↓ ↓

Throughout the twentieth century, Isamu Noguchi was a vital figure in modern art. From interlocking wooden sculptures to massive steel monuments to the elegant Akari lamps, Noguchi became a master of what he called the "sculpturing of space." But his constant struggle—as both an artist and a man—was to embrace his conflicted identity as the son of a single American woman and a famous yet reclusive Japanese father. "It's only in art," he insisted, "that it was ever possible for me to find any identity at all." In this remarkable biography of the elusive artist, Hayden Herrera observes this driving force of Noguchi's creativity as intimately tied to his deep appreciation of nature. ↑ ↓ ↓

The Memory of The Archive: Christoforos Savva in the 1954–1968 Cypriot Press & Literary Periodicals is published on the occasion of the survey exhibition project Untimely on Time: Christoforos Savva (1924–1968), co-organised by the Cyprus Ministry of Education and Culture, Cultural Services and Point Centre for Contemporary Art, Nicosia and presented at the State Gallery of Contemporary Art – SPEL, Nocosia, Cyprus, between 31 January and 31 March 2019. The book is a compilation and an archive of press cuttings, consisting of more than two hundred articles, commentaries, reports, and advertisements that appeared in the mainstream Cypriot press and literary periodicals between 1954 and 1968 and relate to the Christoforos Savva. The press cuttings are treated as objects with a story, a narrative worth telling with the goal of shedding new light on the artist’s life and career. ↑ ↓ ↓