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A collection of short stories written between 2018 – 2021 ↑ ↓ ↓

How happened that Chì, Chià and Chiò ended up in a cage? Munari tells a story that will make us desire to open all those cages and make these little birds free again. A tale of three little birds is one of the eight books of the historic 1945 series. Munari devised these lively albums for children using large pictures, pages and inserts of different sizes and varying holes to arouse the curiosity of the observer and let him litteraly hang at each page. ↑ ↓ ↓

Page after page Bruno Munari shows us a world hidden in the stones, populated by characters drawn along the stone’s lines and veins. While smiling at a monkey grabbed at the lianes-streaks we understand that the point of view can change a lot our perception of reality: a complex and philosophical theme tackled through a simple joke. An important book to see less and watch a little bit more. ↑ ↓ ↓

Rosetta is one of the most popular restaurants in Mexico City. Since its doors first opened in 2010, it has reinvented what a Mexican restaurant can be: through sincere, ingredient-based cuisine that both revives and challenges tradition; through its commitment to serving local and seasonal produce grown by small-scale, sustainable producers; and through its location and attention to detail, creating a vibrant and welcoming atmosphere. The first book by Elena Reygadas, chef and owner of Rosetta, is more than a cookbook. For one thing, she shares a selection of her recipes from the present and the past. But she also offers a series of reflections on many different topics: from the social and environmental impact of industrialized food, to personal recollections, to the history of little-known Mexican ingredients. ↑ ↓ ↓

The book accompanies Little animals, ash trays (a project by Rometti Costales in the CA2M Centro de Arte Dos de Mayo, Madrid) and functions as a compendium of distinct materials that revolve around their artistic practice of the last few years; at the same time it is an essential component of the project. The book is structured by a conversation between the artists and Juan Canela, curator and editor of the book, which provides space for a range of graphic materials and various contributions written specifically for it by Quinn Latimer, Yasmil Raymond, Elfi Turpin, Magalí Arriola, and Manuel Cirauqui. This book is written in English and Spanish. ↑ ↓ ↓